Friday, November 16, 2007

The Canon Sure Shot Digital Camera - One of the Good Cameras

Amongst all of the Canon digital camera models you can get cameras for all type of photographers. Whether you are an experienced photographer, the semi-serious professional or the amateur canon offers some of the best cameras for your needs. Amongst those cameras you will find the Canon Sure Shot digital Camera.

The Canon Sure Shot Digital Camera is known to be one of the “good” canon cameras. The various features you can find on this camera will make it very easy for you to take great pictures.

The Canon Sure Shot Digital Camera comes with amazing features. Here are just some of the features you get with your digital camera:

- Built-in zoom capability
- Timer system
- Red eye reduction capability

Those features make the Canon Sure Shot Digital Camera fully automatic. You can be sure that you will be able to capture steady images. No more blurred pictures unless that’s what you want.

One good point about the Canon Sure Shot Digital Camera is the duration of the battery. With this type of camera you can expect a long duration and life for your battery. Of course like many cameras out there are also some weak points. With this type of camera you can expect to experience a small delay in-between taking pictures. For some it can be a problem, for others it’s no problem. Either way it’s worth mentioning.

The bad side of this is that you will have to wait a few seconds before you can take the next shot. The time delay you will experience is very short but sometimes this can cost you a great picture by loosing a candid moment.

But to be fair I need to say that there are a lot more advantages to this camera than disadvantages. The flash you get with this camera is powerful enough to turn a dark room into daylight brightness. For me The Canon Sure Shot Digital Camera remains a very good camera to buy.

On top of that the Canon Sure Shot Digital Camera is very good to take great pictures of landscape and portrait photographs.

One of the things you might want to consider when buying your Canon Sure Shot Digital Camera is the accessories that come with the camera. You might also take note of the accessories that you might have to purchase separately to enhance you camera even more.

When you buy the Canon Sure Shot Digital Camera you will also get the strap which is attached to the camera. You will also get the case for transporting the cameras which is usually made of leather with a strong Velcro fastening.

You will find that the Canon Sure Shot Digital Camera is probably on of the best digital camera you can get if you are an amateur photographer.


http://www.articlefrenzy.com/Article/The-Canon-Sure-Shot-Digital-Camera---One-of-the-Good-Cameras/75465

How to Compare Digital Camera Features

The day you decide that you need to buy a digital camera you will need to consider various facts. By doing this you will be ready to compare the various digital camera features and decide which digital camera you wish to buy. There are of course many features available when we talk about digital cameras so you will need to isolate what features interest you as a photographer before buying.

So you may start by asking what are the features you want are or need that will help you take great looking photographs. One important factor you might want to consider is the amount of pixel that is offered on the various type of digital cameras.

Of course if you want to compare digital camera features like this you might want to have a buyer’s guide that will list all the various features for each camera model. For example you will be able to compare the amount of pixels for each camera model you consider buying. Always keep in mind that the amount of pixels will usually determine what will be the quality of your pictures. The more pixels you have the greater the quality.

Another factor you should consider when you compare digital camera features is: What will you do with your camera. Is the camera you are looking at is for amateur photographer, semi-serious or serious photographers? Determining this will bring you one step further from buying the camera you need.

When you start to compare digital camera features you will soon be submerge by more info that you were actually looking for. They key is to look for the one you want instead of being overwhelmed by features you don’t need. Some of those feature apart form the pixel amount could be your picture options. Do you want your pictures to turn into sepia, black and white or soft pictures with the use of your filter?

One point I strongly suggest you look into when you compare digital camera features is the shooting modes you get with your camera. You should find indications about various features like the focusing or flash capabilities of various digital cameras. Whether it is Canon, Nikon, Olympus or any other brand of digital camera, make sure you don’t overlook this aspect.

Of course the information you will gather to help you compare digital camera features will mostly be of technical nature. Make sure you look at various sources of information. Another great place to look for information is to buy photography magazines. They will help you compare digital camera features that allow you to take picture with special effects.

These special effects could be special zoom capabilities that allow you to take pictures from a totally new angle or focus capabilities enabling you to crop some of the surrounding areas of you subject.

Of course if you want to take great picture (who doesn’t want to) it helps to have many different helpful features in your camera. It is up to you to find what features you want in your camera by gathering the right information and doing research in magazine, internet articles and digital camera buyer’s guide to help you compare digital camera features.
All those information will help you identify what type of camera you need to best suit your needs. You will need as much sources of information as you can to compare digital camera features. This is surely the best way to make sure you buy the one that you need.

This way you can select the best type of digital camera that is suited for your needs. To compare digital camera features you need all of these different sources. This way you have a wide choice of digital cameras to look at.



http://www.articlefrenzy.com/Article/How-to-Compare-Digital-Camera-Features/75970

Wondering how to use your digital camera? Wonder no more

It is important to realise that there is no such thing as a perfect camera, one that will be the best for everyone. Although we sometimes talk about 'cameras of the year' or 'top picks', such lists and awards are really of little consequence. The camera that wins most accolades may not be the one that is most suitable for you. The important thing you need to do is to think about what you want from a camera; you need to know what the various specifications mean, and to work out which is the best for you. Even those aspects that can easily be quantified - such as the number of pixels the sensor records - are not always straightforward. For some people a 2 megapixel (Mp) camera may be a better choice than a 4 Mp model. Even where image quality is important, you cannot assume that a 5 Mp camera will necessarily give better results than a 3 Mp model. As in life, other things are seldom equal.

During photography's entire history, the amateur and the professional have represented distinct and often contrary approaches to photography, each battling for supremacy. Has the digital revolution tilted the field of battle irrevocably in the amateur's favour? Or has it swept this traditional rivalry into the dustbin? Can anyone say? For the 19th-century practitioner, photography was fraught with personal and technical adversity. The darkroom environment was equally challenging: space was constrained, and in smaller field tents the photographer had to kneel or lie down to work. Ventilation was poor or non-existent, and lightproofing faulty. Digital photography is starting to become accessible to the average consumer. Camera prices are falling and image quality is improving. Compared to conventional 35-mm photography, there is no film or processing costs, and results are immediately viewable so a re-shoot can be made quickly if needed. Plus there are more and more applications where digital images are more convenient and cost effective.

It is usually taken for granted that white is white, with no variations. However, all artists would agree that this is wrong, including photographers. The white balance of a camera can make or break a picture, meaning you must learn to control it. In order to regulate it, you must set your camera to manual or custom white balance, and take a picture of something white. It must fill the screen, and should not be in shadows. If the result is not to your preference, you can always use your photo program to tweak the picture.

Action photographs are quite popular, though they are difficult to take properly. Speed is essential to taking clear pictures for indoor sports and activities. The shutter speed is crucial, for if it is too slow you will lose the picture, as the movement will have continued past the shot you wanted. The results can be erratic, so the highest quality won't be assured. Make sure when taking pictures of indoor sports that your camera is on a setting with a fast shutter, such as rapid fire mode.

JPEG (pronounced "jay-peg") is a standardized image compression mechanism. JPEG stands for Joint Photographic Experts Group, the original name of the committee that wrote the standard. JPEG is designed for compressing either full-color or gray-scale images of natural, real-world scenes. It works well on photographs, naturalistic artwork, and similar material; not so well on lettering, simple cartoons, or line drawings. JPEG is "lossy," meaning that the decompressed image isn't quite the same as the one you started with. (There are lossless image compression algorithms, but JPEG achieves much greater compression than is possible with lossless methods.) Making image files smaller is a win for transmitting files across networks and for archiving libraries of images. The real disadvantage of lossy compression is that if you repeatedly compress and decompress an image, you lose a little more quality each time. This is a serious objection for some applications but matters not at all for many others.

If you use a flash in a dark environment, you often get a red eye effect. This is because the light of the flash is reflecting from the retina, which is covered with tiny blood vessels. The more open the pupils are, the more red eye effect you get in your photos. Red eye is more pronounced in people with light eye color. It is also more pronounced in people with blond or light-red hair and in children. Many cameras have a built-in red-eye reduction pre-flash that helps reduce the incidence of red eye. Red-eye reduction works by having the flash shine a light into the eyes of the subject prior to taking the picture. This causes the pupil to contract. However, you have to make sure the subject is looking at the camera. If not, this technique won't work. Also be wary of using red-eye reduction feature when not necessary, because it may cause your subject to blink.

How do you begin to take good photos? The first thing to remember is this: It's the photographer that takes great photos, not the camera. Think about that for a minute. It's true isn't it? I've seen some people take great photos with a simple point-and-shoot camera, while some take lousy shots with the most expensive SLR. Always look for beautiful natural light. The best natural light usually occurs right before, after, and during sunrise and sunset. Be deliberate and creative. Think about what would make a good background, what would make for good colors. When you set out on a picture-taking spree, shoot 10 to 25 pictures so that you can be sure of getting a good shot. Vary the distance, setting, poses, or even the times of day.



http://www.articlefrenzy.com/Article/Wondering-how-to-use-your-digital-camera--Wonder-no-more/100607

Digital Cameras In Todays Society

Digital cameras have become mainstream cameras because they are extremely easy to use and offer a host of wonderful features. Digital cameras connect to PC via USB so you can transfer your photos easily for archiving, editing, and printing. Digital cameras make it easy to share pictures both online and in print. Digital cameras with resolution in the four to five megapixel range are capable of producing professional-quality images.

Cameras

The major advantage of digital cameras is the ability to take multiple pictures at no extra cost and then printing only the best ones. Cameras meant for automatic point-and-shoot photos, with a 3x zoom lens, will serve casual shooters as well as dedicated hobbyists much of the time. Digital cameras with less than one megapixel are inexpensive, but they usually lack key features. Cameras with higher resolutions of 7, 8, 10 or even more megapixels give you the latitude to create large reprints, or to crop and manipulate images with photo-editing software without degrading them. All digital cameras have a built-in computer, and all of them record images electronically. Since film still provides better picture quality, digital cameras have not completely replaced conventional cameras. All the fun and interesting features of digital cameras come as a direct result of striving to improve customer needs for high quality, low cost photos.

Images

Images are made up of tiny cells (also called pixels). Images taken at higher resolutions will look much clearer and sharper when printed, and large prints will look better. You can even select only the best and copy them from your computer back onto the camera's storage device so you can give an edited slide show of just the best images. Once images are in digital form, you can start to take pieces from various images and paste them into other images. Digital photography now makes it possible to put all of your images on the Web and bore the entire world instead of just your friends and family. One nice thing about digital cameras is that you can show your images on a TV set.

Memory

Memory Most digital cameras support some type of removable memory card for storing your images. You should buy as large a memory card as your camera can accept, as the memory cards that are included with the cameras are usually not nearly big enough to hold a good number of high quality pictures. Two popular memory card types are CompactFlash and SmartMedia cards. Both types of memory are similar in price and performance but CompactFlash cards are more widely used. How many pictures will fit in the memory. The exact number depends on the size of the memory card (or other type of storage used), the camera's resolution, the compression quality setting, the exact type of camera, and even the type of pictures taken. If you can't fit enough pictures in the memory, you should buy a higher capacity memory card instead.

Digital cameras are distinguished by their resolution—how many pixels, or picture elements, the image sensor contains. Digital cameras give you extraordinary control over images. Digital cameras are perfect for learner photographers as the images can be displayed immediately. Digital cameras generally need a computer to manipulate and print images, but the technology is evolving rapidly, and photo printers that work without a computer are now mass-market items. Digital cameras have high power requirements, and over time have become increasingly smaller in size, which has resulted in an ongoing need to develop a battery small enough to fit in the camera and yet able to power it for a reasonable length of time. Digital cameras emerging popularity is attributed to the vastly improved photography experience they afford, through instant viewing, deletion, annotation, and control over reprint size and quantity.



http://www.articlefrenzy.com/Article/Digital-Cameras-In-Todays-Society/103301

Thursday, November 15, 2007

Benefits Of Panasonic Digital Cameras

Gone are the times when digital cameras as well as SLRs that mimicked long zoom lenses were considered to be rather cumbersome. Following the public demand for small and cheap digital cameras with long zoom lenses, the manufacturers had no choice but create them! Panasonic digital cameras have always met all the requirements applicable to quality photographic equipment.

Panasonic Lumix DMC-F27
The new 6.0 mega pixel Panasonic Lumix DMC-F27 is a fine answer to the consumers’ needs. This Panasonic digital camera is contained in a trim housing, and has a Leica 12x optical zoom and Panasonic’s Optical Image Stabilization. Its additional features include the 2.5 inch LCD screen, a new widescreen VGA movie mode as well as a joystick to control manual focus and exposure.

Among the benefits of this Panasonic digital camera is its small size to fit into a backpack and weight – just a little more than half a pound. It is also reasonably priced at $350 that makes this Panasonic digital camera affordable even for an average budget.

Panasonic Lumix F27

This new Panasonic digital camera is a continuation of the F23 that was used in 2004 and has evolved through the F25 and has improved light, long range zoom without any need to really reinvent the wheel. Its Optical Image Stabilizer is a useful feature to eliminate the effect of shaking, especially when capturing an image using its optical zoom that is more than 4x. High zooms usually make it more difficult to shoot a picture, if the camera doesn’t have a tripod to make the shooting experience steadier. Also, its 6MP CCD mega pixels is a major improvement over previous models and so too is the 2.5 inch LCD screen that is an improvement over the 1.8 inch LCDs that preceding models of the Panasonic digital camera had.

This model of Panasonic digital camera was designed to provide a most pleasant shooting experience and due to its small size the camera can be taken along anywhere. In fact, many of its features are of professional cameras; at the same time, it is simple and user-friendly. One of the most prominent characteristics of this Panasonic digital camera is its lens that is a 12x optical Leica DC lens with a variable aperture. Also, it has a preset scene mode called High Sensitivity that can boost the ISO to 800 and 1,600 and helps in reducing blurred images, especially when shooting fast moving objects. There is also an option for increasing brightness when shooting outdoor under low light. This Panasonic digital camera is one more technological achievement well worth money investment.


http://www.articledashboard.com/Article/Benefits-of-Panasonic-Digital-Cameras/235938

Olympus Digital Camera – Versatile Yet Simple

The Olympus digital camera is designed to provide easy access to all most used features, such as Flash settings as well as delete with the touch of one simple button. Printing pictures has also been simplified often requiring no cables to connect; thus, turning files into photos is also incredibly easy.

All Olympus digital cameras have digital image stabilization to eliminate blurs if any happen due to a shaking camera or moving objects; the user has the privilege to take crisp and clear pictures with greater degree of sensitivity as well as quick shutter speeds. Olympus digital cameras also have all-weather reliability thanks to their durable design that contains protective seals and gaskets that allow the user to shoot pictures with confidence in rain or shine. Also, they use bright capture technology that allows one to clearly preview every picture even if the lighting is low, as it does not require a flash to capture a picture in such conditions.
Manual as well as automatic controls installed in all Olympus digital cameras allow the user to be in full control over their pictures or simply let the camera do the work for them. With expanded capabilities, there are no limits to what one can do with Olympus digital cameras; add-on lenses, flashes and underwater housing are a few among many options. In addition, Olympus digital cameras have zoom and lens quality par excellence; their impressive zoom helps the user frame and capture fantastically accurate shots with the same precision-crafted optics as are used in digital SLRs.

The Olympus SP-350 camera combines elegant and compact design with amazing features as well as advanced manual functions that are perfectly complemented by easy, automatic options. They all work to deliver outstanding performance during the day as well as at night, and in any weather conditions. It has one-touch printing as well as 30 different shooting modes and settings that can be customized to suit individual preferences; the camera also features conversion lens/extra flash compatibility. It is ideally suited for just about everybody.

The camera’s 30 shooting modes give a great opportunity to make excellent pictures of fast-paced sports or peaceful landscapes – there is a shooting mode available for any occasion and condition. If needed, one can change the lens or attach external flash to lighten up the scene or achieve a new perspective. This Olympus digital camera also has a large 2.5 inches LCD where everything looks better as well as bigger on the large color display. This little genius costs only around $350.


http://www.articledashboard.com/Article/Olympus-Digital-Camera---Versatile-yet-Simple/235940

Nikon Professional Digital Camera – Every Photographer’s Dream

Nikon has proven its reputation among professional photographers, being the top choice for many of them. Don’t expect a Nikon professional digital camera to be inexpensive, but be sure that you are paying for quality, durability, functionality and reputation.

The first Nikon cameras entered the market during the early days of film photography, and were using optics from Zeiss, a German optical maker that produced some of the absolute best camera lenses. Around the middle of the 20th century, Zeiss-Nikon lenses were the standard for professional quality lenses throughout the world. Nikon’s reputation in the camera market quickly reached the top mainly thank to their excellent line of Nikon professional digital cameras.

At the time when other camera makers were quickly occupying the digital camera market, Nikon wanted to make sure it made the conversion right with their biggest base relied on a Nikon professional digital camera. As market forces changed, Nikon also tries to give amateur photographers the opportunity to have the quality professional use in a Nikon professional digital camera.

Nikon produced less expensive units of their professional digital camera, that became available for serious amateurs and those that stick to a particular brand name. Nikon’s reputation as a top camera maker is unparalleled in the photography world.

In August 2006, its amazing line of five Coolpix camera models strengthened their position at the top, and a Nikon professional digital camera became affordable to regular folks. All models can be found between $200 and $400 and they all have a five-star rating from consumers. The rating encompasses issues such as ease of use, dependability, quality of pictures among others. Their goal is to enable amateurs to have the same photo experience as those using a Nikon professional digital camera.

The Nikon D80, costing around $1,000 is not considered to be a Nikon professional digital camera, but shares many of the features. Improved auto-focus and interchangeable lenses make it an amateur’s dream. It boasts 10.2 mega-pixels, wider flash range and longer battery life.

The Nikon professional digital camera D2X is packed with all possible features, which most amateurs will hardly use in a lifetime. At $5,000, this camera has it all and does it all, being every photography enthusiast’s dream.



http://www.articledashboard.com/Article/Nikon-Professional-Digital-Camera---Every-Photographer-s-Dream/235942

Nikon Digital Camera: Sophisticated Technology And Ease Of Use

Nikon digital cameras occupy a special niche in the photography market and they are popular among people thanks to their Coolpix line of cameras as well as the notable D-series SLRs. There are “point and shoot”, ultra compact, extended zoom as well as SLR/professional Nikon digital cameras with a variety of megapixel resolutions. Among the other advantages there is their reasonable price as well.

An excellent and highly rated Nikon digital camera is the Nikon Coolpix S7c. It is a fine example of further improvement of the already impressive line of slick wireless digital cameras. The Nikon Coolpix S7c presents startling new features like the ability to utilize wireless image transfer; besides, with the Coolpix Connect service it has taken another step forward and allows for free service through which users may instantly email photos to friends using the in-camera address list so long as the user is in range of an open Wi-fi access point.

This model also provides the user with crisp portrait photographs thanks to its Face-Priority AF; the camera comes with 7.1 megapixels resolution and is Wi-fi capable. Other useful features include vibration reduction, 3x optical zoom and 4x digital zoom, auto focus and auto exposure. The LCD display is bigger at 3 inches, stores files in JPEG file format, and has Secure Digital card storage of 14MB internal. It can also use movie mode with sound and is powered by lithium-ion batteries. The average price of this model is around $350 depending on where one buys it.

An Absolute Marvel: Nikon D200

An absolutely marvelous Nikon digital camera is the Nikon D200 (body only) which is a SLR targeting both professional photographers and the entry-level professionals. A powerful 10.2 megapixel resolution makes this digital camera powerful enough for use by professionals, while its small body attracts users who are more accustomed to the look and feel of other mainstream conventional digital cameras.

This Nikon digital camera is a safe bet, when it comes to wonderful performance and easy operation. Its advanced features like wireless photo transfer make this camera the best of its kind in the market. Its 10 megapixel CCD sensor ensures photos of extreme quality, which can be stored in JPEG and RAW file formats. The camera also comes with an interchangeable lens option and a 2.5 inch LCD. Its light weight (1.81 pounds only) is one more added benefit of this camera which costs around $2000.



http://www.articledashboard.com/Article/Nikon-Digital-Camera--Sophisticated-Technology-and-Ease-of-Use/235944

Minolta Digital Cameras: A Fine Example Of Quality And Reliabilit

Nowadays digital cameras are in rage, and it is not surprising, since they moved up the concept of photography on a new level. The owners of digital cameras enjoy the ability to take quality pictures without the need to wait for them to be developed. Those who are more on a professional side of photography should consider purchasing a Minolta digital camera.

Before purchasing a Minolta digital camera, you might want to know a little background about the company itself. Minolta, a Japanese camera company, was founded 1928 in Osaka, Japan. The founder of the company was Kazuo Tajima, and the original name of the company was the Japanese meaning of “Japan-Germany Camera Shop.”

It was not until 1962 that the company officially became known as Minolta. It was also in 1962 that John Glenn took a Minolta Hi-Matic camera (that was specially modified) into space with him aboard the Freedom 7.

In 2003, Minolta merged with the Konica Corporation to become Konica Minolta. However, this partnership did not last very long, because Konica Minolta announced on January 19, 2006 that they were leaving the camera business and selling part of their SLR camera business to Sony.

About Minolta Digital Cameras

Minolta digital cameras were designed mainly to enter the professional digital photography market. Thus, the DiMage line of Minolta digital cameras was created not only as an avenue for advancement in the digital camera market, but also as a way for professional photographer to purchase a camera from a trusted brand. This line included scanners and software as well as the digital cameras themselves.

DiMage cameras (specifically the DiMage 7) were designed for people who had experience using 35 millimeter SLR or single-lens reflex cameras. However, this line of cameras was more advantageous being easier to use, since the photographer would not have to deal with the complications of such things as interchangeable lenses. Thus, these cameras were meant to be sophisticated in design and purpose, but at the same easy to use, just like today’s digital cameras.

Although Minolta digital cameras are no longer in the production, they are still available for purchase. Prices of these cameras will most likely be high, since no more are being made, but they are totally worth it. With any of the Minolta digital cameras you can be sure that you are getting excellent equipment – reliable and professional at the same time.



http://www.articledashboard.com/Article/Minolta-Digital-Cameras--A-Fine-Example-of-Quality-and-Reliabilit/235945

Reasons To Buy The Kodak Professional Digital Camera

To have a good and trustworthy camera to capture your life’s most special moments is essential. Though good digital cameras are not cheap, they are worth the investment. But you might be wondering what brand to choose in order to get best quality and ease of use at the same time? Consider buying the Kodak professional digital camera – a compact answer to all your photography needs.

With your Kodak professional digital camera, you may be confident that you will get pictures of best quality, which you can then transfer right to your computer to store or edit them, if you want. With the Kodak professional digital camera, you are the professional photographer and the world is your studio.

Just imagine how many favorite moments you can shoot with your Kodak professional digital camera – and all of them will be of quality you never thought a digital camera is capable of. That’s because Kodak is synonymous with camera, and is the best reputed brand in the world. The Kodak professional digital camera is created by a company who has been in the business for a long time and knows exactly what you require from a digital camera.

The Kodak professional digital camera has all sorts of different features, depending on the model you buy. If you are a beginner and you are not sure which Kodak professional digital camera will give you the features you need and be easy to operate at the same time, it is better to ask the associate at your nearest camera retailer. These professionals know the difference between the different models and they can be the best judge of which model will be the best buy for your money.

When you take pictures with your Kodak professional digital camera, you can transfer all of the pictures to your computer so that you can sort them, label them and even print them into beautiful professional prints of excellent quality.

If you still want to get more information proving that you are making the right choice, you can try the latest camera reviews. That will also give you an idea which Kodak professional digital camera would suit you better. You can find camera reviews on numerous consumer websites. Once the Kodak professional digital camera is in your hand, you will not want to miss any of your favorite life moments.


http://www.articledashboard.com/Article/Reasons-to-Buy-the-Kodak-Professional-Digital-Camera/235948

Kodak Digital Cameras: Advanced Technology Coupled With Quality

Kodak digital cameras gained a well-deserved reputation of powerful and professional quality digital cameras that combine advanced technology with outstanding quality. Kodak digital cameras come with many standard and additional features of digital cameras to give a product that has everything from ‘point and shoot’ to high zoom and compact size.

For example, look at the very popular Kodak EasyShare digital camera that allows one to shoot when inspired and share photographs with ease. It provides the user with amazing prints of up to 20 x 30 inches thank to the camera’s 6.1 megapixel output.
It also has a 3 inch high-resolution rotating display and can store as many as 1500 pictures using 256 MB of internal memory. Since it is Wi-fi enabled one can send and share pictures from the memory of the camera. Wireless photography made it much easier to stay connected and email pictures to friends and relatives using this Kodak digital camera, and also view the gallery albums on the camera itself.

This Kodak digital camera also allows one to transfer pictures as well as videos to a computer without a USB and is compatible with in-home Wi-fi Networks as well as able for use in most public hotspots. This amazing model of Kodak digital camera costs around $200 and is highly recommended for those who value greater convenience combined with connectivity.

Kodak Easyshare C875 Zoom Digital Camera

The Kodak Easyshare C875 Zoom Digital Camera is a ‘point and shoot’ version that allows one to get close to what is important and allows the user to take panoramic view shots with ease. Thank to its exceptional 8.0 megapixel resolution, the user can get high quality prints because more pixels allow one to crop as well as enlarge the photographs while retaining the great image quality. The same feature allows printing pictures up to 30 x 40 inches.

Kodak Color Science Chip is responsible for rich and vibrant colors under different lighting conditions; irrespective of the way to print images, this Kodak digital camera would provide exceptional long-lasting quality of pictures. Among other features are 2.5 inches indoor/outdoor color display, Kodak Perfect Touch technology, and smart scene mode. Advanced video features as well as panorama stitch mode are adding the value to this Kodak digital camera, which is available for as cheap as $250, or even cheaper.


http://www.articledashboard.com/Article/Kodak-Digital-Cameras--Advanced-Technology-Coupled-with-Quality/235949

Wednesday, November 14, 2007

Canon Powershot 8.0 Megapixel Digital Camera Reviewed

Bigger is better, the more megapixels the better the quality. With the Canon Powershot 8.0 megapixel digital camera you can be sure that you will be able to capture every detail of your child’s big wide smile, every color of his or her birthday cake or every sleek corner of your brand new car.

A camera has always been a great company in recording moments. Since George Eastman created the first camera, more and more households have had their own personal cameras. Now, with the onset of the digital age, more and more digital camera manufacturers have developed their own digital cameras and developments like the Canon Powershot 8.0 megapixel digital camera have made quality higher and higher.
Becoming one of its flagship cameras in the compact digital camera level, the Canon Powershot 8.0 megapixel digital cameras high quality 8.0 megapixel resolution allows a more detailed image than its predecessors. With a large 2.5-inch LCD screen, you can instantly view your pictures and choose which ones to keep.

Canon’s new offering is a camera that embodies Canon’s commitment to creating cameras that offer superior imaging setting the bar for other digital cameras to emulate.

With a resolution of 8.0 megapixels, you can be able to capture a wider area of images with the Canon Powershot 8.0 camera, Transfering images from your camera to your computer is fast and easy with the 2.0 high-speed USB port and editing is even easier with the bundled software.



http://www.articledashboard.com/Article/Canon-Powershot-8-0-megapixel-Digital-Camera-Reviewed/100620

Spion 5 Mega Pixel Digital Binocular Camera – A Voyeurs Dream

Whether you enjoy bird watching or just spying on your neighbors, the Spion 5 mega pixel digital binocular camera is must have. After all what is the fun of spying on something or someone if you cannot take pictures to show your friends afterwards.

The Spion Digital Binocular Camera Package
The Spion binoculars come packaged in a very colorful and eye catching box. The boxes side also contains a fairly detailed spec sheet so buyers can get a little bit of info about what they are looking at.

Spion Digital Binocular Package

When I first opened up the box I was pleased to find the Spion digital binocular camera came with it’s very own soft carrying case. I also found an installation cd, USB cable, lens cloth, neck strap, instruction manual, and warranty card. The makers of the Spion 5MP digital binocular camera seemed to throw in everything but an SD card and a tripod.

Closer Look At The Spion 5 MP Digital Binocular Camera

There is no doubt that the Spion digital binocular camera look sleek and stylish. But what really makes it tick? So without further delay I will get down and dirty for you and breakdown all of the Spion’s technical specs.

Lets begin with the most basic and biggest part of the Spion binoculars first. Of course I am talking about the binoculars themselves. They are your basic 8×32mm adjustable binoculars. Not really nothing to fancy. Just a nice easy and comfortable to hold pair of binoculars.

There sure was not to much to say about that part of the product now was there. But now with that out of the way we can get onto the fun stuff and take a look at the camera portion of the Spion 5MP digital binocular camera.

I would like to start this off by saying that the Spion uses a very basic 5 mega pixel digital camera with a 4x zoom. This has to be my biggest gripe about the Spion digital binocular camera. While looking through the binoculars themselves you can see up to 8x, but your picture will never get closer than 4x. Simply put your picture may not be as close as what you are viewing through the binoculars.

The digital camera portion of the Spion is powered by four AAA batteries. However standard alkaline batteries will only allow you to take about 25 pictures at 5MP. So just like any other digital camera it is in your best interest to get some rechargeable batteries.

The Spion comes equipped with a 1.5” TFT LCD screen so you can view your pictures directly from the camera or even view what the binoculars are looking at. I myself find the 1.5” screens to small. But there is really no reason why you should even have to look at it since your eyes should be watching through the binoculars themselves. However you may find it hard to watch the LCD outdoors since it has no backlight. This can make figuring out what you are doing fairly difficult.

The Spion’s digital binocular cameras control’s are also very strait forward and easy to learn. Everything you will ever do with them will use only four simple buttons. The first button is the on / mode button. This button will turn on the camera with a simple push. Once the camera is on you can push it again to bring up the menu. When you want to turn it off simply hold the button for 3 seconds.

The next button is the take picture / set button. This button is all you need to push once you have found something to take a picture of. When you are in the menu this button will also select whatever you have chosen.

The next two buttons are the up and down buttons. These buttons will help you navigate through the Spion’s menu. They will also be the buttons you use to zoom in and out. I really don’t think the control’s could of got much easier than that.

Now you get to hear about another gripe I have about the Spion digital binocular camera. You just picked up your new Spion binoculars, so you rush home rip open the package, throw in some batteries and proceed to go outside and take a few pictures. But wait, your new Spion just will not do it. You need to go back and get yourself a darn SD memory card!

That is right the Spion is not manufactured with any internal memory. And you used to think that the measly 25 megs they included on your digital camera was bad. So now you have to go and buy an SD card (up to 1GB) just so you can use your Spion binocular camera.

But you will be pleased to know that once you have everything you need your Spion is capable of doing the following. You can take pictures at either 0.3MP, 2.1MP, 3.2MP, or 5.0MP. But that is not all. You can also record movies at either 320 x 240 @ 30fps or even 640 x 480 @ 12fps.

Once you have taken some great pictures or even made a small movie you will probably want to put it on your computer so you can share it with your friends. To do this the Spion digital binocular camera uses a standard USB 1.1 port. Simply attach your binoculars to your computer with the included USB cable and it should find a removable storage device. This is where you can find your pictures / movies.

One last basic feature that I do not want to leave out is the ability to attach a tripod to your Spion 5MP digital binocular camera. Tripods can be pretty handy with a digital camera but you could probably live without one. With the Spion though I can almost guarantee it will save you a lot of headaches. Cameras are a lot easier to hold still and usually you are not using the zoom. With the Spion binoculars you will be using the zoom almost 100% of the time.

Spion 5MP Digital Binocular Camera Specs

Resolution: 3.0MP interpolates to 5.0MP

Image Size: Still Image 0.3MP – 640×480, 2.1MP – 1600×1200, 3.2MP – 2048×1536, 5.0MP – 2560×1920
Movie LO – 320×240 @ 30fps, HI – 640×480 @ 12fps

Image Format: Still Image = JPEG Movie = AVI (no time limit)

Storage Media: SD / MMC Memory Card (Up To 1GB)

Zoom: 1x – 4x

Exposure: Automatic

White Balance: Automatic

Shutter Speed: 1/20~1/2000

Display: 1.5” TFT LCD Screen

Interface: USB 1.1

Power Supply: 4 AAA Alkaline Batteries

Language: Chinese, English, French, Germany, Japanese

Magnification: 8x

Objective Lens: 32mm

Eye Relief: 14mm
Exit Pupil: 3.9mm
Angular Field Of View: 6.3 degrees

A Few Sample Pics

1x zoom

4x zoom

Here are a few sample pics from the Spion digital binocular camera. Both pictures where taken looking in the exact same area (full dune buggy in view). Notice how the 4x zoom pic tured out a little off center.

Conclusion

So to sum everything up I would have to say that the Spion 5MP digital binocular camera is an all around fun gadget. It may not be the greatest digital binocular camera on the market but one thing is for sure. Whether you are looking to spy on wildlife or your neighbors wife the Spion 5MP digital camera binoculars are sure a great investment and offer some good bang for your hard earned buck.



http://www.articledashboard.com/Article/Spion-5-Mega-Pixel-Digital-Binocular-Camera---A-Voyeurs-Dream/188555

Digital Video Cameras And A Look At Some Of Their Features.

Digital video has only been around for a relatively short period of time yet some of the latest models have quite a long list of features. Lets look at some of those features.

One major component of the video camera is the CCD or charge coupled device which acts like the film in the old film type video cameras except it works by capturing the light that falls on it and converting it to electrical signals. It is made up of a grid of individual pixels where each pixel represents a pixel in the captured image. The more pixels the camera uses the higher the resolution of the image it produces. The CCD quality is also measured by how much light it takes to produce an image which is measured in lux. The lower the lux rating the less light needed and therefore the better the images will be in low light situations.
When recording with the video camera you need to view the image you are trying to capture and this is achieved either by using the viewfinder or an LCD screen designed for this purpose. It is often best to use the viewfinder to follow your subject while recording and use the LCD screen to review the recorded images. This prevents excessive drain on your battery. You will want to make sure you have a large enough LCD screen to make review and menu applications easier if it has a touch screen and that it also has enough pixels to give you a clear image.

The recording medium is another thing to consider when you are looking at video cameras. A lot of them use MiniDV tape but there are some that record directly to DVD. The tape format is usually easier to use if you intend to load your video onto your computer and do a lot of editing. The advantage to the DVD's is that they give you random access to your recordings. Some of the DVD based video recorders are able to use rewriteable discs but you need to make sure that the format is compatible with with your home equipment if you intend to view it on you DVD player. There are also some models that use nonremoveable hard drives similar to a notebook computer but the disadvantage here is clear because you have a limited storage capacity. However there are others that use removable storage devices like flash memory such as SD cards or Memory Stick.

The lens is another major feature and is probably the most expensive component and can make a huge difference in the quality of your video. Most video cameras will have some kind of zoom feature that is usually just in the adequate range and not too exceptional. Between the optical zoom and the digital zoom, the optical is a more important one to consider since it is determined by the actual range of the focal length of the lens and gives the best image compared to digital zoom.

If you are using the zoom feature a lot then will want to be sure that the video camera has a good image stabilization feature as well. This keeps the image from becoming blurred due to movement of the camera which is more exaggerated with longer shots. Image stabilization is done either electronically using digital circuits or optically using a variable prism or lens group witin the lens. Optical stabilization is considered to be better.

Some other features you might see are still image capture similar to photographs where the image may be captured on video tape along with the video or could be recorded separately on flash memory cards. There are long play features that allow you to capture more video on a single tape by extending the recording time from 60 to 90 minutes and even an infrared feature that allows you to record with infrared light in low light conditions such as at night.

There are still more features to consider than there are listed here so you will have to do more research to find out all you need to know in order to make an educated purchase. Just do your homework and review several models and makes and you should be able ok.



http://www.articledashboard.com/Article/Digital-video-cameras-and-a-look-at-some-of-their-features-/295265

Tips For Finding The Best Small Digital Cameras

It used to be that if you wanted to get a decent digital camera, you had to get one that was rather large. I bought mine over a year ago, and it was indeed rather big and cumbersome. I love it though, so I won’t complain too much about the size. I have seen a new trend lately, however. It seems that cameras are getting smaller while not having to give up picture size and memory. Many of these small digital cameras have the same features the larger ones do, but are far easier to carry around.

I’m not so sure I will be willing to get a smaller camera the next time I decide I would like a new one though. It’s not that I don’t think small digital cameras will work as well or take the same great pictures. It’s not that at all. It’s that I am prone to losing things. The fact that I have not lost my cell phone over the last two years is something of a miracle. I suppose if I spend a lot of money on something I am going to keep it close, but I fear losing such small things all the time. It’s in my nature.

A lot of my friends have the small digital cameras, and they say that they love them. I still fear losing one, but they are quite appealing. I have to have a larger purse in order to take mine with me when I go out, but they can slip theirs in a small handbag. I have also noticed that the small digital cameras can take the same quality pictures as mine will take, so I would guess that the small camera is the wave of the future.

If you do decide to go with small digital cameras the next time you buy, there are a few things you should keep in mind. Though they might seem slim enough to slip into your back pocket, this is never a good idea. This is a great way to break one. Also remember that even though you can easily slip them into your purse, you might still want to get a camera bag to protect your camera. If you can’t find a bag made especially for small digital cameras, you can find something that works for another electronic device of similar size. As long as it will protect your camera, it does not really matter what it was made for.



http://www.articledashboard.com/Article/Tips-For-Finding-The-Best-Small-Digital-Cameras/203058

Digital Cameras: Why You May Or May Not Want An External Flash

The built-in flash on a digital camera is compact, simple to use, and often effective in providing the extra illumination needed to assure adequate exposure of a subject when ambient light is insufficient. In some instances, the internal flash is able to soften shadows in harsh light as well. So why then, would the average, non-professional photographer need or want an external flash for their camera?
The built-in flash on the average digital camera has a useful range of about 13 to 15 feet. An external flash has more power and can illuminate a larger area; their range can be as large as 70 feet. Whether trying to illuminate a large group of people only 15-20 feet away or a single subject 50 feet away, an external flash can provide much better lighting in such situations. An external flash is particularly useful when shooting with a wide angle as many can disperse the flash to fill the width of the scene.

Shadows can be excessively harsh when illuminating a subject directly.

The internal flash on a digital camera shines directly in front of the camera lens onto a subject and can create shadows behind them when it is the primary source of lighting. An external flash offers the user greater versatility with models that tilt, swivel, and many that can be positioned well away from the camera body. An external flash can create lighting from different angles and can be bounced off of a white ceiling or reflector to significantly soften any shadows and reduce any glare. The ability to have the flash moved away from the camera lens also helps to eliminate the red-eye effect as the light is not reflected from the eyes of a subject directly back into the lens.

Slow flash recycling can make it difficult to take shots in rapid succession.

The typical built-in flash on a digital camera can take several seconds to recycle after being triggered during which time additional shots with the flash are not possible. An external flash is often able to recycle in less than a second and thus allows multiple shots to be taken in rapid succession.

As lighting is generally considered the single most crucial factor in the quality of the image captured, using an external flash with a digital camera would seem to be an excellent choice. However, there are instances in which a user might wisely opt to forgo the additional expense and complexity of using an external flash.

Compact size or sleek styling is of primary interest to the user.

An external flash is large, bulky, and certainly does not lend itself to going unnoticed. They cannot be toted around in a pocket and thus are not a good choice for casual use.

Ease of use is critical.

An external flash often requires the user to manually adjust settings. For the most simplicity, a TTL flash (through the lens) is the best choice versus a non-dedicated or slave flash device, as a TTL flash communicates with the camera and triggers automatically. The process of purchasing an external flash can also present some complexity as the buyer must assure that the camera and flash are compatible, that they will communicate or connect (via hot shoe, cold shoe, sync-cord, adapter, and so forth) and that the voltage on any flash device that connects to their camera will not harm their camera circuitry.

Budget constraints.

An external flash, as with any auxiliary or accessory device, adds cost. The average flash will add $140-$500 to the total cost of a camera. In addition to the up front cost of the device, an external flash can also consume a significant amount of battery power adding to the life time cost of the camera.

Use of an external flash with a digital camera can significantly improve the quality of images created by giving the user much greater control over lighting. However, these devices do add another level of complexity as well as cost to the photo taking process. First time buyers merely need to weigh which features are most critical for them to determine whether or not an external flash will be a good investment.


http://www.articledashboard.com/Article/Digital-Cameras--Why-You-May-or-May-Not-Want-an-External-Flash/219979

Tuesday, November 13, 2007

Compact Digital Camera Reviews

There is a plethora of fine, solid quality compact digital cameras on the market today. And there are lots of camera models to choose from. So much so that it can be confusing for all but the most dedicated hobbyist. So which camera models are the cream of the crop? That depends a lot on what you intend to use the camera for, but we have listed a few models here that we think would make a fine purchase in most cases.

First of all, here are the features that we like to see in compact digital cameras. They are features that are most often appreciated by consumers in real world situations. Here is our list of required features:

* At least 3 megapixels
* Costs under $300
* Has at least a 3X optical zoom
* Can run on AA batteries
* Produces high quality, sharp photos

So with that criteria in mind, when you look over the compact digital camera field there are three models that meet or exceed these requirements and are often found on the top of most compact digital camera reviews by both consumer websites and consumers themselves. And here they are:

1. The Canon Powershot A510 is an incredible camera for the money. It comes in at the least expensive price point in our little group at $170. It's a 3.2 megapixel camera which will do just fine for anything but the largest enlargements, and produces incredibly sharp and vivid photos. It sports a 4X optical zoom which provides a zoom range that is roughly equivalent to 35-140mm in 35mm. It also runs on AA batteries and can be expected to provide around 300 shots per set of batteries. And it has a movie mode w/sound which is a nice extra.

2. The Sony Cyber-shot DSC-W5 is a 5 megapixel camera that features an extra large LCD screen at 2.4 in. which can be very nice for those that can use a little more screen size. It's optical zoom is adequate providing a 35mm focal length equivalent of 38-114mm. It also allows manual control of the exposure settings for those that like to go their own way. Another noteworthy mention is that this Sony manages power very efficiently and you can expect to get almost 400 shots before replacing the batteries in this unit. It costs $275.

3. The Kodak EasyShare Z700 is another fine compact digital camera with 4 megapixels that boasts an optical zoom of 5X which translates to an effective 35mm lens length of about 35-175mm. It also uses AA batteries and comes with it's own charger, although it uses more power than the other two cameras listed here and can be expected to go through a set of batteries in around 200 shots. This Kodak model comes in around $240.

Any serious listing of compact digital camera reviews should include all three of these models and rate them highly overall. You choice should be based on what your individual needs and uses will be however, but all of them should provide years of solid, quality service.


http://www.cryosphere.f2s.com/articles/cameras/compact-digital-camera-reviews-before-you-buy.html

3 Alternative Tripod Tips for Steady Photographs

The tripod is one cumbersome accessory, and in many cases, it's just one of those items you don't want to lug along with you each and every time you're planning on taking pictures. However, even without the tripod, there are several ways to improve your photographing results, if you pay attention to your surroundings.

The Lazy Photographers Tripod

Let's say you're heading out for nice stroll, digital camera in your pocket, and you really don't want to carry that bulky heavy tripod. The first consideration is of course how to properly steady your hands while taking pictures. Most people use their hands when taking pictures, so it's not the end of the world if you have to. However, there is a right way and a wrong way to do it.

Even if you have steady hands like that of a surgeon, you'll need a little assistance when it comes to holding that camera perfectly still. For your best results, always hold the camera with both hands. Your left hand should not be grasping the camera, rather it should be supporting it, while your right hand has a solid grip on it. Use your chest to brace your arms and steady your hands.

When you're ready to snap the picture, don't press the shutter button quickly as this will actually cause the camera to shake slightly as you click it. Try squeezing the button slowly. As you squeeze you are entering a two-stage process. The first stage will lock in your focus and exposure and as you continue to squeeze down on the shutter button, the picture will be taken.

The Spur of the Moment Tripod

Depending on the environment you are in, you can use your surroundings to help steady the camera. If there's a nearby railing, use it as your steadying device. If the surface is smooth enough, you can place the camera directly on the railing, gently but firmly gripping the camera as you squeeze off your next shot.

Even using a nearby wall or fence to lean against can help create a more secure way of steadying your camera while manually pressing the shutter button. Of course you'll want to make sure you're the only one using the prop to steady yourself. If someone were to come along just at the right moment and bump the railing or perhaps simply backup against it, you might get a sudden jarring motion just as you take your picture, which will produce an unwanted result.

The Less Cumbersome Tripod Alternative

Sometimes the surface of your possible props may not be as steady or smooth as preferred. In these cases, you can use a beanbag. Some beanbags are actually specifically threaded just for this purpose, allowing you to securely attach your camera to it. The nice thing about the beanbag is it's flexibility, which allows you to adapt it to almost any surface providing you with a more stable setting for your camera.

The most important thing to remember is to take along that camera everywhere you go. Tripod or not, the world is full of wonderful and exciting things that you can capture on film or memory disc, if you take it with you always.


About the Author

Kimberly Shannon enjoys digital photography and graphic arts as a hobby and part time business. You can read more articles for digital camera tips at www.digitaltipsweekly.com.

Basic Digital Photography II:Getting the Light Source Right

Lighting is the single most critical factor in determining the quality of any photograph. Although with digital cameras you can edit after the fact, such features are limited and it is more effective to assure that you get the best exposure when taking the shot. The amount of light on the image sensor, or exposure, is determined by the opening/closing of the aperture, the length of time that the shutter is open, and the amount of light present. For the purposes of this article, the discussion will be limited to working with and enhancing the light present for the shot.

When the light in a situation is not sufficient or when you want to create a different effect with highlights and shadows, an internal flash or external light source can be used. The happy news for the photography novice is that digital cameras have an auto flash feature in which the camera decides when lighting is insufficient and will activate the flash automatically. One of the most important things to remember about using flash photography for the novice is that all cameras have a flash range. Beyond that range, generally no more than 14 to 15 feet, the flash is not effective. Flash is most often used when shooting indoors where there is generally less light. One of the pitfalls of using flash when photographing people and animals however is the infamous "red eye" effect which is created when the light bounces off of the back of the retina of the subject. This can be reduced by having subjects avoid looking directly into the camera or using the "red eye reduction" mode. This mode simply emits a tiny flash prior to taking the picture to help the pupil contract prior to the full flash. Glare is another common problem encountered when using flash photography but can easily be eliminated by being sure not to point the camera directly into any shiny object such as a mirror or glass. Most digital cameras allow the user to have control of the flash function giving them the ability to disable it for use in situations where flash is not allowed or the user is striving to achieve a particular look in the picture. It also allows the user to set the flash so that it is always on, allowing the flash to be used even when the camera senses adequate lighting.


Flash can be used to deal with some lighting related problems outdoors as well. Sunlight can create shadows and cause the subject to appear dark and difficult to discern with the brighter, sunlit area around them. One option is to pose your subject in the shade. Taking photographs in the shade often provides images with better/truer color definition, no shadows, and subjects free from squinting. When in the sunlight, use of the flash can be particularly helpful in balancing the light and reducing shadows. The fill-flash mode can be useful in any situation where the subject will be darker than the surrounding background whether they are shaded by a hat, a tree, or simply their own facial features. However, fill-flash mode should be used only when the subject is within 6 feet. Beyond this distance full power mode will be necessary.

Use of an external or auxiliary flash can give the user the control necessary to adjust lighting and create special effects. Just as the intensity of a light source influences the exposure in a picture, the direction of the light source can change an image through shadows and highlights. A flash can be attached to a camera with either a "cold shoe" or a "hot shoe". A cold shoe is merely a plastic shoe that allows the flash to be physically attached to the camera but does not have any contacts that allow the camera to communicate or coordinate the flash activity. With a hot shoe, users can attach a flash sync cord, allowing them to move the flash away from the camera and choose the direction of the lighting. In addition, a hot shoe attachment allows the flash to be controlled by the camera's flash settings. With the external flash, there are various modes to control the flash function.

* The TTL setting allows the camera and flash to determine the best exposure based upon the focal length of the lens. This is possible when the camera and the flash are of the same brand.

* The Stroboscopic setting can produce multiple flashes within a single exposure to create special effects.

* The Manual setting allows the user to set the flash for full, half, or quarter power.

* The Auto setting allows the flash to determine the best exposure independently. This is used most often when the camera and flash are not of the same brand.

There are two primary types of lighting used in photography. A hard light is created from a single, bright source of light and it produces shadows, highlights and pronounced contrast in the resulting image. Soft light on the other hand is very diffuse, making highlights and shadows more subtle. Hard light is preferable when detail and distinct color is desired, but soft light is best for a softer image. Light from a single source can be diffused in a number of ways. The flash can be covered with a thin material such as tissue or wax paper or it can be bounced off of another surface, such as the ceiling or a wall, rather than being shown directly onto the subject. Bouncing the light is obviously not effective outdoors and the distance of the reflecting structure should be no more than 6-8 feet. The color of the surface reflecting the light must also be considered. Any color on the surface is generally reflected onto the subject. For this reason, white is generally preferred although professionals use black to absorb light and darken shadows and shiny materials are used to harden the light.

As mentioned previously, the direction of lighting can also greatly influence the characteristics of a photograph. The use of an external flash gives the user the option of moving the light source in relation to the subject. Front lighting is the most common. When wanting to emphasize the detail of the subject, front lighting is the best choice. However, it can create a rather harsh image with shadows in the background, muted colors in the foreground, and red eye. The use of fill flash and red eye reduction when using front lighting can help to alleviate some of the negative effects, while diffusing the light can reduce harshness. Back lighting can produce a very dramatic photograph but, if too bright, can cause the subject to appear only as a silhouette unless the object is transparent. Reducing the brightness of the light source and using fill flash to brighten the shadowed areas can improve the quality of a picture with back lighting. Providing lighting from an angle rather than directly from the front or back can be beneficial in either of these lighting situations.

Lighting can also be directed from the side, the top, and from under the subject. Side lighting gives the user the most options as far as angle and the ability to create a wide variety of effects. Side lighting is optimal for creating texture and a sense of depth to a photograph.

For the novice photographer, experimentation is key. Whether diffusing light for softer images, using fill flash outdoors to eliminate shadows, or altering the direction of lighting to create special effects, creating unique, quality images requires practice.




About the Author

Christine Peppler shares information on home electronics products and home entertainment on her site at: www.homemedias.info.

The Secrets of Choosing a Digital Camera Part 1

Size

Small is beautiful. Today's digital cameras are sometimes so small, that they fit into the breast pocket of your shirt easily and are still fully featured so you get the most out of the camera in almost every situation. Just imagine taking a picture of a wonderful sunrise when your are on your morning run or the happy smile of your kids when you pick them up after school. With a small digital camera you don't have to lug around heavy equipment, you are always ready to take the picture of your life.

But too small could be a nightmare for someone with large hands or big fingers. In this case it is not practical and the fingers could cover the lens, the internal flash or could not work the tiny buttons to select the diverse functions, a modern digital camera offers.

A larger, heavier digital camera is useful when you want to do more serious work. Think about taking pictures where the internal flash is disabled and you work with longer shutter speeds. A heavier camera is easier to hold steady and it can better compensate the tine movement when you press the shutter button.
System - Camera Technology

There are many different kinds of cameras on the market today. The consumer has the choice between an ever increasing number of brands, but mainly his decision is based on what he wants to use the camera for and what his past experiences with photography are.

Viewfinder cameras
this is the most simple system on the market. The viewfinder is located in the upper left corner of the camera (seen from the rear) and presents a picture that is slightly offset to what the camera really sees. When you are very close to an object, the difference in view can be dramatic. This type of digital camera works very good for snapshots as well as for most photographic needs of the average person. Disadvantages are the fixed lenses, the lack of influence you can take on the picture (e.g. sharpness, focus, light).
Some more advanced models also use the small LCD monitor as a viewfinder. The advantage here is that the picture you see on the screen is the same that you will take with your camera. You have good control of what you will put into your picture. Disadvantage with his type of display is that you cannot preview the pictures in a brightly lit environment. Taking pictures in brought daylight is sometimes difficult as you try to hold the camera steady and also shade the LCD.

Bridge cameras
this type of camera is more heavyset than the usual compact digital camera. Usually it features a fixed lens with a good zoom factor. Ranging from wide angle to telephoto, you can cover most photographic challenges with these models. They offer a trough the lens view finder, which gives you a correct impression of the photo you are going to take, regardless of focus length. The picture is projected on the CCD chip in the camera and projected on a small monitor that is either inside the camera positioned like on traditional cameras or on the back panel of the camera body.

These cameras are usually more capable of changing photographic parameters and are used by people who want to do more than the occasional snapshot.

Digital SLR (Single Lens Reflex)
this is the most advanced type of digital camera on the market today. It works very similar to traditional SLR cameras, but using the digital process instead of film. You can choose different lenses for every possible purpose. Whether it is a wide angle lens for landscape photography or a small telephoto lens for doing portraits or close-up work. The lenses are interchangeable and you sometimes even get compatible lenses from third party manufactures that are of similar quality, but lower in price. The picture is reflected into the viewfinder via a mirror (this is why its called reflex). When you release the shutter to take the picture, the mirror is moved away, the shutter curtains open and the light is directly sent to the CCD chip. A small LCD screen on the back panel of the camera is used for doing a first check on picture quality and for setting the different features and options of the camera. Digital SLR cameras are usually used by professional photographers and high level enthusiasts.
Memory - Bigger Is Better

The advantage of digital cameras compared to traditional ones is that you can shoot as many pictures as the memory chip allows. Pictures that turned out to be low quality can easily be discarded and again you have room on your memory card to take new pictures. As advantageous as it is, this circumstance leads to taking more pictures than with traditional cameras and as the resolution of the digital cameras increases from year to year, the need for memory increases. Therefore it may be useful to exchange the memory card that came with the camera with a bigger one or having a spare one when going on a longer trip. Below table lists the approximate number of photos that fit on a 128 MB memory card when using the jpg-format:

Resolution Quality Best Good Standard
6 mega pixel 3008x2000 34 70 117
4 mega pixel 2400x1600 51 96 161
1.5 mega pixel 1536x1024 106 173 271

The above quality rating is based on the compression factor of the jpg format (higher compression results in smaller files, but in lower picture quality).

More things to watch out for shoppping or digital camera will be covered in part 2 of this series.



About the Author

Tom has spent most of his free time behind cameras of different types. He specializes in close-up work and travel photography. To share his experiences and fascination about digital photography, he has set up www.digitalcameratips.de which covers topics for beginners as well as advanced users of digital cameras.

Basic Understanding of your Digital Camera Flash

Many of us do not think twice about the usage of our digital camera's flash assuming that the camera will use the flash automatically as needed. Flash however can and should be manually set in many scenarios resulting in high quality digital photos.

The most common usage of flash photography is when there is not enough ambient light for example when taking an indoor digital photo in a dark room. There are many other ways in which you can use your digital camera's flash to get high quality digital photos. One such usage is fill-in flash.

Before setting your flash to manual mode and making more efficient usage of it you should know a bit more of the technology and history behind flash photography. Flash photography has been around for more than a century. During the early days of photography flash was implemented as a powder that was literally lit by either fire or electrical current. At that time flash photography was a risky business. Digital cameras today use a safe implementation by utilizing electronic flash tubes that are automatically synchronized with the camera's shutter.

You have two options for using flash with your digital camera. The first option is using the digital camera internal flash. Practically all digital cameras have build-in flash units. Most cameras also allow the usage of an external flash unit. Such flash units can be either mechanically attached to the digital camera or they can be connected to the camera via a cable and mechanically positioned on a tripod or any other mechanism. They are synchronized and controlled by the digital camera. External flash units vary in price and features. They can have different maximum light energy that they can emit and different mechanical capabilities (tilting, skewing).

In automatic flash mode the camera sensors evaluate the amount of ambient light in the scene. The digital camera fires the flash if the amount of ambient light is not high enough. There are limitations to the cameras automatic sensors resulting in either firing the flash when it was not needed or vice versa.

In some scenarios the usage of flash can result in poor digital photos. For example when the object is too close to the digital camera the flash light will be too strong and will wash out the object. Another example is in scenarios where the flash creates unwanted shadows in the digital photo. Yet another example is exaggeration of details such as when shooting a digital photo of an older person the skin wrinkles and imperfections details can be overly detailed.

Digital camera's flash units have a certain effective range. This is a limitation of how much light energy the flash unit can emit. Internal flash units usually have shorter range than external flash units. If the object in the photo is outside of the flash range the flash will not be effective and the object will be dark. On the other hand if the object is too close to the flash unit or the flash unit emits too much energy the object will be washed out. If your object is outside of your flash unit effective range you should turn off the flash and use slow shutter photography preferably with a tripod or another stabilizing mechanism. If your flash units allows the setting of the light energy that will be fired (usually by setting the distance to the object) make sure that it is set right to prevent washed out objects.

In some scenarios there will be enough ambient light to take a digital photo but without the usage of the flash the digital photo quality will be very poor. In such scenario if the camera is left on automatic flash mode it will not fire the flash. For example daytime photography with an object that is shadowed. If the object is wearing a hat it can create shades on the object's face or when the object is lit from the side the object's nose can create shades too. Putting the flash in manual fill-in mode will force the flash to fire. The flash will lit those shadowed areas and prevent the shades in the final digital photo. The object of course must be in effective flash range. Another example is an object that is lit from behind such as when taking a digital photo of an object against a sunset. Without a fill-in flash the photo will likely be just a dark silhouette of the object.

These were some basic concepts behind flash usage. There are many other advanced options for your digital camera flash. For example bounce flash can result in great digital photos in that mode instead of pointing the flash directly at the object it is pointed to some reflecting surface like a wall or a special reflector. The result is more natural light and color rich digital photos.


http://www.cryosphere.f2s.com/articles/cameras/basic-understanding-of-your-digital-camera-flash.html

Monday, November 12, 2007

Digital Photography Tips - How To Get The Correct Exposure

One thing that many newcomers to digital photography find most challenging is getting the correct exposure for their digital photos. This can also be challenging for more experienced photographers. One of the great things about digital photography is that digital photography lets us use PhotoShop and other photo editing software to make corrections after the digital photo has already been taken, but it's certainly better to get it right to begin with.

Most people take their digital camera out of the box, charge up the camera batteries, make sure the exposure setting is on automatic and never change it. However, using all the settings on your camera is not really that complicated. It just takes a little information and some practice. Here are some tips to get you going in taking more control over your digital photos.

First, decide what you want to emphasize in your photo. Are you taking a digital photo of a child against a dark background? Is the sunlight overly bright, or is it a hazy day? Perhaps the child is in a filed of flowers with a dark forest in the background. Do you want to be sure the child's face or clothing is correctly exposed, or do you want to emphasize nature and make sure the trees in the forest stand out? Your exposure settings might have to change to emphasize what is most important in the photo to you.

Second, you need to decide whether you want the camera to decide on the exposure, or whether you want to make some or all of the decisions about exposure. Most modern digital cameras give you a choice of exposure modes, including so-called programs. For example, there might be a stylized symbol of a mountain for landscape photographs or a profile of a runner for action photos.

If you select one of these modes, the camera can then use one of its internal programs to make decisions about shutter speed and camera lens aperture. The camera will select the settings the manufacturer has decided is best, on average, for these kinds of photos. For example, if you're taking a landscape photo, you can always just set the camera on the landscape photo setting and let the camera make all the decisions. The problem is, you may not be in an average situation for your landscape or action photo. If so, it's time to get into a more lands-on mode, and take more control over how your digital photos will look.

In addition to auto exposure, nearly all digital cameras come with settings for aperture priority, shutter priority and manual modes. The cameras aperture setting determines how large the opening is in the lens that lets the light through. The shutter speed is how long the lens stays open. The larger the aperture, the more light comes through, so if the aperture increases (more light), the shutter speed must also decrease (open a shorter period of time) to make a correct exposure.

When you use the aperture mode, you control how large the lens opening is. With a small lens opening, you can have a very sharp focus on one object in your picture, but objects that are not the same distance from the camera will not be as sharp. If the aperture opening is larger, objects up close and not so close to the camera can both stay in focus (greater depth of field). To compensate for that, when you increase or decrease the aperture, the camera will adjust the shutter speed up or down.

This is great if you're taking a close-up of a flower and want it to be extra-sharp. But if you photography a moving object, you r must have your shutter speed set fast enough to stop the motion. This needs to be at least 1/125th of a second if you are following the motion with your camera. If you are shooting a scene with motion in it, you probably need to be anywhere from 1/250th to 1/1000th. When the shutter speed is increased, there will be less time for light to come through the lens, so the lens opening (the aperture) must be larger to compensate. You can set the shutter speed in the shutter priority mode. Then the camera will adjust the aperture to match.

Finally, you can switch to fully manual mode for total creative control over your digital photos. This may require more decisions than you think you will want to make, but it does give you total artistic control because it allows you to break the rules tying the aperture and shutter speed together. Manual settings are more than we can get into in this article. We will cover this in a separate article.

Finally, the best part of digital photography is that, in most cases, if a photo doesn't come out just like you want it, unless it's one of those once in a lifetime shots, you can always take it over. So be sure, especially if you're on a trip or at a special occasion, to scroll through your photos before you leave. Then if a picture didn't come out like you wanted, you can always try again.

Dave Hunt has shot landscape and scenic photos in almost all states of the US and in most countries in Europe. He is the author of numerous articles on photography, travel and recreation. You can find more articles, tips and how-to's, along with and the latest news and information on digital photography at: http://www.digitalphotographygeek.com For tips on travel and vacation ideas, visit: http://www.deskatravel.com and http://www.bahamasbeat.com


Article Source: http://EzineArticles.com/?expert=Dave_Hunt

Disposable Digital Cameras Deserve To Be Thrown Away

Disposable digital camera – these three words fit naturally together in today’s world. After all, in today’s world, everything seems to be disposable and everything is digital, why shouldn’t a camera be, too? But is a disposable digital camera really a good idea? Do the brains that came up with this idea deserve to be saved in jars of formaldehyde and studied for many years to come? My opinion is, “no.”

First of all, if we have so much technology these days, why do we continue to think of ways to make things disposable? Shouldn’t we be coming up with things that will last long for the pleasure and use of many generations to come? Instead, we are coming up with items that will fill our landfills for many generations to come.

Granted, because you have to take your disposable digital camera into a processing center to get the photos, it will not be you, personally, who is disposing of the camera. And, in fact, many of these disposable cameras are recycled or reused almost in full. Nonetheless, in a world of disposable diapers, paper plates, plastic forks, one-day-wear contacts, and so many other things that are meant to be used once and never again, do we really need to add disposable digital cameras to that list?

As far as the “digital” of a disposable digital camera goes, this part is just fine… in theory. Let us first think of why people love their digital cameras: People love their digital cameras because they can take seemingly endless amounts of photos on them. People love to look at their LCD screens and decide immediately whether or not they need to take another photo to really capture the moment. They like to be able to delete the really horrible photos, right on their camera. They love the ease of viewing all of their photos at home, on their own computer.

The problem is, a disposable digital camera does not have any of these things. You can only take a limited amount of photos and you certainly cannot check them out on an LCD screen – that would make the disposable camera way too expensive. And you cannot go back and delete photos (although, many have a feature that allows you to delete the one that you just took – of course, if you cannot see it, how do you know you want to delete it?) And you need to take your camera to a processing center -- you cannot simply set it up on your computer at home.

So, why, would you want a disposable digital camera? I guess that after you pick up your photos from the processing center, you will have them on a CD so that you can put them on your computer – but you can pay a few bucks and get such a disk with a disposable film camera, too. And unless you are a complete film connoisseur, you likely will not be able to tell or care about the difference between the images.

So, for now, I am not a huge proponent of disposable digital cameras. Although, I do believe that they will improve greatly in the future, so I am going to leave myself room to change my mind. For now, though, either buy yourself a disposable film camera, or go out and get an inexpensive digital camera. You will be happier in the long run.

Anne Clarke writes numerous articles for websites on gardening, parenting, fashion, and home decor. Her background includes teaching and gardening. For more of her articles on disposable digital cameras, please visit Disposable Digital Cameras.




Article Source: http://EzineArticles.com/?expert=Anne_Clarke

Saturday, November 10, 2007

Canon digital camera - innovative digital products

They make market leading products now but a Canon digital camera [of course film in those days] started in a single-room by three Japanese men in the year 1933 under the name of Precision Optical Instruments Laboratory, Canon has come a long way today. It all began with the phantom prototype camera called the ‘Kwanon’. At that time, Germany was considered to be the leader in camera production. German cameras were extremely expensive. So, Goro Yoshida, along with two others tried to produce a 35mm rangefinder camera at a cheaper price and came up with “Kwanon’.

However, at that time, one of the problems faced by the company was that it did not have a lens of its own. So, it decided to tie up with Nippon Kogaku Kogyo (who was to become the founder of Nikon) and acquire lenses from them. With the use of these lenses, Canon came up with its first commercial camera called the “Hansa Canon” in 1936 which became a hit. However, the company still had to go through hardships due to the War.

After the war, the company officially adopted the name “Canon” as its name. Up till then, the lens was under a different name, the camera had a different name and the company had a different name. So, in order to unify all these three, Canon came into existence on September 15, 1947. Slowly the company started to expand, and many historical cameras were created such as the Serenar 50mm f/1.8 lens in 1951, Canonet in 1961, AF35M (Autoboy) in 1979 and the EOS 650 in 1987.

The first Canon digital camera was the PowerShot 600 in 1996. Then, after making several advances in digital technology, Canon launched the EOS D2000 digital SLR camera in 1998 for professionals. In addition, the XL1 digital video camera was introduced. Due to its superior functionality and reliability, the XL1 became the official digital video camcorder of the NASA.

In order to provide the market with a cost effective camera along with superior functionality and performance, Canon introduced the EOS D60 in 2002 and the EOS 10D in 2003. These two cameras made Canon the market leader in digital technology. Then, the EOS Kiss Digital was introduced in 2003, which became a big success.

Today, Canon has introduced several digital camcorders. Starting with the FV30 and the FV200KIT in 2002, Canon went onto launch the FV M1 and the IXY DV M2 in 2003 in the mid range segment. As the company progresses, Canon digital camera continues to strive to provide its consumers with better and better technology at the lowest price possible. They have been known as a choice of the pros for many years in the world of photography but now with a broad line of products Canon is firmly positioned in the consumer market as well.



http://www.great-digital-cameras.com/canon-digital-camera-history.html

How to shoot digital video of your kid's sports team so everyone will want to watch it!

1.You bought a digital video camera
2.You want to shoot your child playing sports
3.Here is how to do it!

What a wonderful age of technology we live in. You can buy the greatest gadgets now days to record video and music and play them in all sorts of ways on other great technology gadgets from computers, DVD’s, MP3 players, VCR’s, and many more. It is all great stuff. But they all come with thick owners manuals that do not always get you going the right direction. You may eventually learn to use your great new camera for instance, but that does not mean you will necessarily take pictures that are worth looking at down the road. Rolling tape in your camera is one thing and creating video that is high quality and interesting is another thing. The goal of this product is to bring you up to speed with using your video camera (whatever format, and whatever brand) to get the best results for recording those precious moments of your kid’s athletic achievements.

as parents spend plenty of hours out on the field, court, pool, or track watching our kids take part in and compete in youth sports. If you have a video camera you are going to want to record some of these events for posterity and perhaps education. Following the simple steps in this guide will help you to capture them in the best possible fashion so that it is watch able but also usable down the road.

My video expertise stems from two decades as a network television cameraman and as a parent with several kids actively involved in youth sports. In my years of shooting video professionally I have been around the world and seen just about every type of news event. I also spent 15 years covering pro sports events for my employer. These were the best type of assignments as far as I was concerned. In my entire career the things I have enjoyed most is being able to go to places where the average person cannot.

In sports that usually means being on the field, next to the court, in the press box, or in the pit. I have shot football games of all levels up to and including the NFC and AFC championship games. Living in the SF Bay Area has allowed me to cover many baseball pennant races and several World Series. I was right behind home plate the night the earth shook in the 1989 World Series between the Giants and A's. Talk about a shock. I had to give up covering a World Series between the two Bay Area baseball teams to go and cover a huge news event. Baseball seemed small for a while after the magnitude of the earthquake.

The point in this is that I love sports, have been around sports my whole life and I know how to shoot video of sports. With that in mind I will do my best to give you advice on how to do the same.

Gear

Now whether you have the latest DV camera in your hands or an old VHS format camera there are basic things you will need to keep in mind if you are going to shoot sports. As we say in the video business your camera is only as good as the glass that you hang in front of it. The better the lens the better the results will be no matter what kind of recording format you use. Now you already have a camera in hand and may never have heard this particular bit of advice so it is too late to factor it into the equation. However if you have camera in hand and it has any limitations on what it can do due to the lens being less than wonderful there are things you can do to mitigate the situation. We will discuss those things in more detail later on.

The key factors before setting out on your game day video assignment are to make sure you know the operating functions of the gear, have a tape supply in hand (soon to be DVDs with the revolution in gear design that is taking place right now), and batteries fully charged. I know these may seem like the simply obvious things but even the pros have to constantly remind themselves to check and double check these items.

A little aside here about preparation. Over the many years of covering news I learned lots of little tips from other photographers in the field and applied them to my work regimen. In the early days of video we always had to carry around a portable hair dryer because the record decks would seize up if the moisture levels got to high. So in the winter time if you came in from the cold outside into a nice warm building the air would condense inside the machine and cause moisture build up. The warning light would come on and bang we were dead in the water. One of us would have to run to the car and get the hair dryer, fire it up and chase the water away from the record heads of the deck. It caused some very funny moments in public places I can assure you. (This by the way can still be a problem even today with electronics/VCRs/lenses. Too much moisture can cause havoc. So just remember a portable hair dryer can save your day)

Another thing I learned from others is the value of backup. A few years ago I was out on assignment and we had a young eager college intern along with us in the field. This young man wanted to learn all about what we did in our job. He was very interested in how to take pictures, unlike most of our interns who only wanted to become reporters or anchors. He asked many questions and after seeing that he was really paying attention I decided to take him under my wing and really fill him up with information. One tidbit that I shared with him was to always have an emergency stash of tape in his car when out on assignment. He didn’t quite understand the importance of this at first since I had already drilled him about always bringing tape stock with him when going out on assignment. I filled him with stories of times when something or other happened and I’ll be darned if you didn’t need another tape and there under the seat of the car was that emergency spare. So anyway he went off to graduate from college and get a job in a small market TV station. He would send us progress reports from time to time, which I really enjoyed. Then lo and behold one day he sends me a letter telling me how he got into a jam one day on a story and needed that emergency tape. He had dutifully tucked one under the back seat and it was there to save the day. I hope that what you learn in this book will in some way keep you from having a video failure down the road. What I learned in my career is that video production is 80% of it is dealing with the curves and problems that are thrown at you and 20% talent. If you can learn to trouble shoot then you will always be successful.

My first suggestion for shooting your kids sports activities is to go watch TV. Yes sit down put your feet up and watch some sports on TV. Really watch how they make it interesting at the top level. Then watch the news and see how they cover the games from a news perspective. Don’t pay attention to the content; just watch how it develops visually. Now of course you can never duplicate what the networks are doing with just your one camera. However if you can glean anything from watching it should be how they try to bring intimacy with the athletes out in the broadcast. All the new improvements in covering sports have to do with getting you the viewer as close to the athlete as they can. Bring you into their world. From cameras on wires overhead that swoop along the field to cameras in the net of a hockey game to cameras inside the cars at Daytona, it brings you into the game. Now you cannot stand on the pitchers mound at your kids’ baseball game but you can learn some techniques that can make your baseball video more intimate and therefore more compelling to watch.

A side note here, if your task is to capture the whole game or sporting activity for review as a coaching tool you should focus mainly on getting a good high view and putting the camera on a tripod. Pan slowly to follow action and don’t zoom in and out. My main goal here is not to teach you this skill since it is pretty darn basic. However if this is what you are doing you should do it right. Find the right framing to keep as much of the activity in the frame and follow it carefully. Some sports move quickly from one end to the other and you will have to be smooth. Resist the temptation to follow the ball on full zoom. You will lose. Those guys that shoot sports on TV are full on pros using much better gear than you will ever have at your disposal.

Now in order to get a good video of your child’s game you need to find that emotion and excitement that exists in any game. Think of it as capturing a few of the things that occur and making those golden. Does the team do a pre game cheer? Get up close, stick your camera wither way up high over their heads looking down or get underneath looking up and shoot it in a way that takes the viewer where they can’t go. Capture an at bat in baseball by taking a full pitch cycle in close-up of the pitcher, and then one of the catcher and then as close as you can of the hitter. Show their face if you can. If they get the big hit don’t go crazy rushing to zoom out. Follow the runner down the line. It will be almost impossible to follow the ball so stay with the runner. Look for the angles that will give you these emotional shots.

Some sports are more of a challenge due to the size of the field and the amount of movement up and down the field. Take soccer of instance, if you follow the ball the camera is moving all over the place and the viewer gets queasy. To capture some good video of your kid playing you need to focus on specific shots and not try to follow the play. Look for moments such as throw ins, free kicks, kick offs when things are predictable and you can get closer to the action. Walk down the sideline and wait for the action to come to you. If you child is playing right forward then get ahead of the play and when you see the ball moving towards you then you can find you child and roll tape in anticipation of them playing the ball. Be sure to get some shots of the crowd cheering, the coach watching (not yelling I hope) the goalie waiting in anticipation.

Hold your shots steady for 6-10 seconds at a time. If you are taking a shot of someone watching the game actually count it out in your head (thousand one thousand two…) This will ensure that you get good solid shots and that you don’t run on and on with the shot. Brace your arm against your chest for stability and use your other arm across your belly underneath to create a stabilizing platform. This is in lieu of a tripod of course. If you have a tripod it can always be a good thing to use if it does not get in the way.

Use creative angles as much as possible. Get down low and wait for the action to run by you. Don’t pan with it but rather let the action race through the frame. At a swim meet get the camera down on the deck for more of a swimmers perspective of the action. Of course you may not want to stay there when the swimmers approach for a turn. Digital electronics do not like water inside them. I was getting the most awesome low angle shots of some open water ocean swimmers one time and the boat lurched on me and salt water sprayed over the camera. I had a cover on the camera but salt water seeped into the crannies and it caused us much grief getting it cleaned out so as to avoid damaging the electronics of the camera.



http://www.great-digital-cameras.com/sports-digital-video.html